Here in yarnbombing world we are all getting permission for our yarnbombing these days . Sometimes I have been asked to make something by a store or museum and sometimes I want to do something very ambitious and it seems more judicious to ask first. Or polite. I’ve learned 3 things from doing yarnbombing with permission.
1. People will let you yarnbomb almost anything if you ask very formally and gradually with good pictures.
2. Just because you have permission do not mean it won’t get stolen.
3.It’s a little boring to ask permission though you feel calmer when you put the work up.
As you know I yarnbombed The Mendocino Art Center this summer, The picture above is of their gallery yarnbomb. I’m using handmade felt now for my installations but I’m going to just keep cavalierly calling it yarnbombing. I thought it would be interesting to include some places in the town of Mendocino as part of the installation . I’ve always like to mark places that I love and enjoy with some of my color.
This is “The Moose Cafe ” , a restaurant that I revere for it’s chocolate pudding. It’s different sewing up panels of felt rather than knitting, it’s more like dresssmaking, it all has to be pinned and stretched tightly.
I’ve been coming to Mendocino for many years, when you vacation in the same place over and over it gives you a connected peaceful sense of time and a feeling of childhood.I recently found a new place to stay in Mendocino, ” Alegria “. It is heaven , I recommend you go up and stay there right away. To be able to do something wonderful for a long time you have to keep finding new ways to do it.
I yarnbombed with my handspun knitting for 2 years and i did more than any reasonable person who ever do-, ‘The Russian and I did well over 100 installations all over California. But I got tired of the problems, knitting getting taken , vitriolic arguments about yarnbombing on the internet. I also think we did everything we could think of to do. So I didn’t yarnbomb for months.
I thought a lot about what I liked about yarnbombing, how it interacted with the hardscape of the city in such a beguiling and colorful way, how you could show your art immediately with no intermediaries, how much media interest there was compared to gallery art. Eventually I came up with the idea of using my handmade felt the way I had used my knitting, make sheets of painterly felt and put them up on trees, buildings and street furniture.
I’m really liking the new look of the felt and it’s speed but I know for some people it has to be knitting or crocheting to relate. But you have to go where you feel the passion.